Sans Normal Mebid 10 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart, 'Passenger Sans' by Indian Type Foundry, 'Neue Haas Unica' by Linotype, 'Point Panther' by Sarid Ezra, 'Inovasi' by XdCreative, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, assertive, retro, energetic, playful, impact, motion, attention, branding, display readability, oblique, rounded, chunky, soft corners, compact counters.
A heavy, oblique sans with rounded, inflated forms and a tightly packed internal space. Strokes stay consistently thick with smooth curve transitions and subtly softened corners, creating a dense, solid silhouette. Round letters like O/C/G are broadly oval with small counters, while diagonals and joins (K, V, W, X) read as sturdy wedges. The overall rhythm is bold and forward-leaning, with simplified geometry and minimal modulation that keeps letterforms cohesive at display sizes.
Best suited to large-scale display use where its dense weight and oblique stance can project impact—headlines, posters, sports and event branding, packaging callouts, and bold logo wordmarks. It also works well for short emphatic lines in advertising and social graphics, where a strong, rounded sans voice is desired.
The tone is loud, energetic, and confident, with a friendly softness from the rounded shapes. Its forward slant and chunky mass give it a sporty, action-oriented feel, while the inflated curves add a slightly retro, playful flavor. It reads as attention-grabbing and promotional rather than quiet or editorial.
Designed to maximize visual impact with a forward-leaning, compact, rounded construction that stays consistent across the alphabet and figures. The emphasis appears to be on instant readability and punchy presence in promotional contexts, balancing aggressiveness from the slant with approachability from softened curves.
Numerals follow the same compact, rounded construction, with strong graphic presence and reduced apertures that can fill in at small sizes. The italic angle is consistent across caps and lowercase, and the set maintains a unified, poster-like color on the page.