Sans Superellipse Onrom 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Quayzaar' by Test Pilot Collective (names referenced only for comparison).
Keywords: headlines, posters, branding, ui labels, signage, tech, futuristic, industrial, retro, utilitarian, geometric clarity, tech signaling, display impact, systematic construction, rounded corners, rectilinear, modular, stencil-like, compact.
A geometric sans built from squared, superelliptical outlines with generous corner rounding and a consistent, monoline stroke. Curves are largely replaced by rounded rectangles and softened angles, producing compact counters and a tight, modular rhythm. Terminals are mostly flat and horizontal/vertical, with occasional clipped joins that give certain letters a constructed, slightly stencil-like feel. Numerals and capitals read especially boxy and uniform, while lowercase maintains the same squared geometry for a cohesive texture in text.
Best suited to headlines, logos, packaging, and poster work where its modular, squared geometry can be a defining visual element. It also works well for interface labels, wayfinding, and product/industrial marking where a technical, constructed aesthetic is desired and sizes are large enough to preserve interior clarity.
The overall tone feels technical and engineered, with a subtle retro-digital flavor reminiscent of sci‑fi interfaces and industrial labeling. Its squared rounds and controlled spacing project a functional, no-nonsense voice that still feels playful in display settings due to the exaggerated geometry.
The font appears designed to translate rounded-rectangle geometry into a confident, contemporary display sans, prioritizing strong silhouettes and consistent stroke behavior. Its constructed details suggest an intention to evoke technology and engineered forms while keeping letterforms clean and legible in short to medium text runs.
The design’s emphasis on rounded-rectangular bowls and straight-sided arches creates distinctive silhouettes (notably in characters like G, Q, and 0), aiding stylistic recognition. The compact apertures and squared counters can build a dense typographic color in longer lines, which suits graphic, high-contrast applications.