Sans Superellipse Onrod 1 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio (names referenced only for comparison).
Keywords: ui labels, app branding, tech packaging, headlines, signage, techno, futuristic, clean, modular, industrial, system aesthetic, tech branding, modernization, interface clarity, modular consistency, rounded corners, squared bowls, geometric, streamlined, digital.
A geometric sans built from rounded-rectangle and superellipse-like forms, with uniform stroke weight and consistently softened corners. Curves tend to resolve into squared bowls and flat terminals, producing a compact, modular silhouette across both upper- and lowercase. Apertures are generally tight and counters read as rectangular rounds, while diagonals and joins stay crisp and controlled. Numerals follow the same boxy-rounded logic, emphasizing straight runs, squared curves, and even spacing for a disciplined, engineered rhythm.
This style suits UI and product labeling, dashboard headings, and tech-forward branding where a structured, contemporary voice is desired. It also performs well in short-to-medium text settings such as posters, wayfinding, and packaging, where its modular shapes and clear, consistent rhythm help maintain legibility and impact.
The overall tone is modern and machine-oriented, evoking interface typography, sci‑fi titling, and industrial labeling. Its rounded corners keep it approachable, but the squared geometry maintains a precise, technical character.
The design appears intended to translate rounded-rectangle geometry into a cohesive, readable alphabet that feels engineered and contemporary. By limiting curvature and standardizing corner radii, it aims for a uniform system look that remains friendly enough for everyday interface and display use.
Distinctive squared-round construction is especially evident in letters with bowls and corners, and the dot shapes appear as compact diamonds, reinforcing the systemized, digital feel. The texture in paragraphs is steady and consistent, with a slightly condensed, screen-friendly cadence driven by straight strokes and minimized curvature.