Sans Superellipse Apbi 1 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype (names referenced only for comparison).
Keywords: ui text, product design, signage, dashboards, packaging, clean, modern, neutral, technical, friendly, clarity, modernization, approachability, system design, versatility, monoline, rounded corners, open apertures, high legibility, geometric.
A monoline sans with rounded-rectangle construction and softened corners throughout. Curves resolve into superellipse-like bowls with consistent stroke thickness and tidy joins, while straight stems and horizontals stay crisp and even. Proportions feel balanced and spacious, with open counters and clear apertures in letters like C, S, a, and e; the lowercase uses simple, modern forms (single-storey a and g) and the figures are similarly clean and rounded. Overall spacing and rhythm read orderly and systematic, supporting clear word shapes in continuous text.
This font is well suited to interface typography, product and tech branding, wayfinding, and informational graphics where clarity at small-to-medium sizes matters. The rounded, geometric construction also works well for contemporary packaging and minimalist editorial layouts that want a clean, friendly modernism.
The tone is calm and contemporary, combining a slightly soft, approachable feel from the rounded geometry with a precise, engineered cleanliness. It communicates neutrality and clarity rather than personality-forward expression, making it feel quietly confident and utilitarian.
The design appears intended to deliver a highly legible, contemporary sans built on rounded-rectangular geometry, balancing a technical neatness with softened edges. Its consistent stroke behavior and open forms suggest a focus on dependable everyday readability in digital and environmental contexts.
Round terminals and gently squared-off curves give the design a distinctive “soft-rectilinear” silhouette, especially in O/Q/0 and the bowls of b/d/p/q. Diacritics aren’t shown, but the base glyph set presented stays consistent in curvature, stroke endings, and corner radii across capitals, lowercase, and numerals.