Hollow Other Abte 6 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Arpona Sans' by Floodfonts, 'Galvani' by Hoftype, 'Akwe Pro' by ROHH, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Without Sans' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, stickers, playful, chunky, retro, bubbly, posterish, impact, distinctive texture, playfulness, retro display, branding, rounded, soft corners, inline cutouts, heavy weight, cartoonish.
A heavy, rounded sans with blocky proportions and softened corners throughout. The letterforms are constructed from thick strokes with small internal knockouts and inline cutouts that create a hollowed, stamped look without reducing the overall mass. Curves are broad and bulbous, counters are tight, and joins are compact, producing a dense texture and strong silhouette at display sizes. Numerals and lowercase share the same chunky rhythm, with simple, sturdy shapes and minimal stroke modulation beyond the internal cutout detailing.
Best suited for large-scale display typography where the internal knockouts can be clearly seen—posters, playful branding, packaging, and short headline treatments. It can also work for logo marks and social graphics where a bold, friendly presence is needed, but it is less suited to long-form text or small UI labels due to the dense stroke mass and decorative cutout texture.
The overall tone is bold and lighthearted, leaning toward a retro, comic-friendly personality. The hollowed details add a lively, tactile feel—like ink traps, embossing, or a sticker/patch aesthetic—making the face feel energetic and approachable rather than formal.
Designed to deliver maximum impact with a friendly, rounded voice while using hollowed inline cutouts to create distinctive texture and depth. The intent reads as attention-grabbing and characterful, prioritizing recognizability and a crafted, stamped finish in display contexts.
The internal cutouts introduce extra sparkle and texture, especially in round letters and at terminals, but they also increase visual noise at smaller sizes. Spacing appears generous and the wide set reinforces a billboard-ready, headline-first character.