Sans Normal Asnib 11 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Crossten Soft' by Emre Güven, 'Averta Standard PE' by Intelligent Design, 'Almarose' by S&C Type, and 'Pulp Display' by Spilled Ink (names referenced only for comparison).
Keywords: ui text, body text, editorial, branding, signage, clean, modern, neutral, friendly, minimal, versatility, legibility, modern utility, systematic geometry, geometric, rounded, open counters, crisp, even rhythm.
This typeface presents a clean geometric sans structure with smooth, rounded bowls and largely uniform stroke weight. Curves read as circular and consistent across letters, while straight strokes remain crisp with minimal modulation. Uppercase forms are simple and open, with broad counters in letters like C, O, and G; the lowercase continues the same geometry with clear apertures and a single-storey “g.” Terminals are mostly straightforward and unembellished, producing an even texture in both the alphabet grid and the paragraph sample.
Its even stroke behavior and open shapes support clear reading in interface labels, product copy, and general-purpose editorial settings. The controlled geometry also makes it appropriate for contemporary branding systems and straightforward signage where a clean, unobtrusive voice is desired.
The overall tone is modern and neutral, leaning friendly due to its rounded geometry and generous counters. It feels calm and dependable rather than expressive, making it well suited to straightforward communication where clarity is the priority.
The design appears intended as a versatile, contemporary sans for broad everyday use, emphasizing geometric coherence, legibility, and a restrained visual personality that can adapt across contexts without calling attention to itself.
In the sample text, the spacing and proportions create a steady, readable rhythm at larger sizes, with forms staying distinct (notably in rounded letters and the open construction of e and c). Numerals follow the same geometric logic, with rounded figures and consistent stroke presence that keeps them visually aligned with the letters.