Sans Superellipse Abril 1 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Bluteau Code' by DSType, 'CamingoMono' by Jan Fromm, and 'TheSans Mono' by LucasFonts (names referenced only for comparison).
Keywords: code, terminal, ui labels, tables, forms, technical, utilitarian, clean, retro, friendly, clarity, alignment, ui utility, approachability, modern tech, rounded, boxy, geometric, even, legible.
This typeface is a monospaced, geometric sans with rounded-rectangle (superelliptical) construction throughout. Strokes are even and low-contrast, with a steady vertical rhythm and consistent sidebearings that emphasize alignment and grid-fit. Curves are smooth and softened at corners, while straight segments stay firm and planar, giving many letters a subtly boxy silhouette (notably in rounds like C, O, and Q). Terminals are mostly blunt, apertures are moderately open, and counters are generous for clarity. Numerals share the same squared-round logic, with straightforward, highly regular forms.
Well-suited to code editors, terminals, and any interface typography that benefits from strict character alignment, such as tables, data readouts, and forms. It also works well for system-like branding accents, technical documentation, and captions where a steady, utilitarian rhythm is desirable.
The overall tone is pragmatic and technical, like a modern coding or UI face, but the rounded geometry adds a mild warmth that keeps it from feeling harsh. Its disciplined spacing and repeatable shapes evoke a retro-computing sensibility while remaining clean and contemporary.
The design appears aimed at providing a clear, grid-friendly monospaced voice with a softened geometric personality. By combining strict spacing discipline with rounded-rectangle forms, it balances functional legibility with an approachable, modern-tech aesthetic.
In text, the font maintains a very even “typewriter” color with minimal sparkle, supporting long runs without dramatic texture shifts. Distinctive, simplified shapes (including a single-storey-style lowercase feel and softened joins) prioritize consistency and quick recognition over calligraphic nuance.