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Free for Commercial Use

Serif Other Eflo 2 is a very bold, wide, high contrast, upright, tall x-height font.

Keywords: headlines, posters, book covers, magazine titles, branding, dramatic, editorial, classic, theatrical, authoritative, display impact, classic drama, brand authority, decorative serif, bracketed serifs, ball terminals, teardrop terminals, ink-trap feel, sculpted curves.


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A sculpted display serif with strong vertical emphasis and pronounced thick–thin modulation. Serifs are bracketed and often sharpen into wedge-like feet, while many curves end in rounded or teardrop terminals that create a slightly calligraphic finish. Counters are compact and the joins show carved, ink-trap-like notches in places, giving the shapes a chiseled, high-impact rhythm. Uppercase forms feel stately and blocky, while the lowercase combines a large body with energetic entry/exit strokes and prominent dots on i/j.

Best suited to large-scale typography such as headlines, posters, magazine mastheads, and book cover titles where its sculpted contrast and decorative terminals can be appreciated. It can also work for branding and packaging that wants a classic serif signal with a bold, expressive twist, but it will feel heavy and visually dominant in long text.

The font projects a confident, dramatic tone—classic in structure but stylized in its terminals and carved detailing. It reads as assertive and theatrical, with an old-world editorial flavor suited to attention-grabbing headlines. The overall impression is serious and formal, but with enough ornament to feel distinctive rather than purely traditional.

The design appears intended as a high-impact display serif that blends traditional serif construction with decorative, carved details and dramatic contrast. Its wide, commanding forms and distinctive terminals suggest a goal of delivering strong shelf and headline presence while retaining a classic, editorial foundation.

Numerals are robust and stylized, with noticeable curvature and strong contrast that matches the letters. The ampersand and punctuation inherit the same chunky weight and sculpted joins, reinforcing a cohesive, poster-forward texture. Spacing appears generous enough for display setting, with the heavy forms creating a dense, dark typographic color at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸