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Free for Commercial Use

Sans Normal Ohmaz 17 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Exensa Grotesk' by Designova, 'Goga' by Narrow Type, 'Reyhan' by Plantype, 'NeoGram' by The Northern Block, and 'Fonetika' by Tokotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, clean, impact, clarity, modernity, consistency, simplicity, geometric, rounded, compact, sturdy, high-contrast-free.


Free for commercial use
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A heavy, geometric sans with monoline strokes and broad, rounded counters. Curves are smooth and near-circular (notably in O, C, G, and 0), while corners and joins are crisply cut, giving a firm, engineered feel. Proportions are compact with generous stroke thickness relative to the interior spaces, and terminals tend to be flat, producing a solid, blocky rhythm in text. Numerals follow the same geometric logic, with a round 0, a simple 1, and wide, stable 8/9 forms that read clearly at display sizes.

Best suited for headlines, posters, and short-form copy where strong presence and quick recognition are priorities. It also works well for branding and packaging that need a clean, modern voice, and for signage or UI labels when used at sufficiently large sizes to preserve interior clarity.

The overall tone is straightforward and contemporary, projecting confidence without feeling severe. Rounded bowls and consistent stroke weight make it feel friendly and accessible, while the dense color on the page adds a sense of authority suitable for attention-grabbing messaging.

The font appears designed to deliver a bold, modern sans impression built from simple geometric forms, prioritizing impact and consistency across letters and numbers. Its sturdy construction suggests an intention toward clear, contemporary display typography rather than delicate text setting.

The design maintains consistent geometry across uppercase, lowercase, and figures, creating an even texture in headlines. At smaller sizes, the heavy strokes and relatively tight apertures can make paragraphs feel dense, so it shines most when given space and size.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸