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Free for Commercial Use

Sans Other Akja 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Halifax' by Hoftype, 'JAF Domus Titling' by Just Another Foundry, and 'Ambra Sans' and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, titles, playful, cut-out, comic, quirky, chunky, stand out, handmade feel, humor, texture, angular, irregular, faceted, handmade, blackweight.


Free for commercial use
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A heavy, blocky sans with irregular, faceted outlines that read like paper cut-outs or chiseled shapes. Strokes are consistently thick with minimal modulation, and corners are predominantly angled rather than smoothly rounded, giving counters and bowls a polygonal feel (notably in O/Q/0/8/9). Proportions lean broad and sturdy, with simplified construction and occasional asymmetries that create a lively rhythm across words. Spacing appears generous and the letterforms keep clear silhouettes at display sizes, while the intentionally uneven edges add texture.

Best suited to display typography: posters, cover titles, headlines, signage, and bold packaging where a quirky, handcrafted voice is desired. It can also work for short bursts of text in kids’ projects, event promos, or playful branding, especially when set large enough for the angular detailing to remain crisp.

The overall tone is mischievous and informal, with a crafty, handmade energy. Its jagged geometry and chunky weight suggest humor and whimsy rather than refinement, evoking poster lettering, kids’ media, or playful Halloween-adjacent title styling without becoming overtly themed.

The design appears intended to deliver maximum impact with a friendly, handmade roughness—prioritizing strong silhouettes and character over strict geometric regularity. Its faceted shapes and uneven edges suggest a deliberate cut-paper or carved aesthetic aimed at expressive, attention-grabbing typography.

The numeral set matches the same angular, cut-out construction, and the punctuation shown in the sample text (apostrophe, ampersand) follows the same bold, simplified logic. The design’s uneven contouring is a defining feature, so it reads most confidently when given room to breathe rather than being packed tightly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸