Sans Other Asneh 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ghino' by Fontmachine, 'Madani' and 'Madani Arabic' by NamelaType, 'Sebino Soft' by Nine Font, 'Mundial Narrow' by TipoType, and 'Hartwell' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, branding, playful, friendly, quirky, bouncy, retro, impact, approachability, personality, retro fun, handcut feel, chunky, rounded, cartoonish, tilted cuts, soft corners.
A heavy, geometric sans with chunky strokes, softened corners, and subtly irregular, wedged terminals that create a hand-cut feel. Letterforms are built from broad curves and simple straight segments, with gentle asymmetries and slight angular bites at joins that keep the silhouettes lively. Counters are compact but open enough to remain clear at display sizes, and the overall rhythm feels intentionally uneven in a controlled way, giving the set a distinctive, characterful texture across words and lines.
Best suited for short, attention-grabbing text such as headlines, posters, packaging, and brand marks where its bold shapes and playful texture can be appreciated. It can also work well for children’s materials or event promotions that benefit from an informal, friendly voice; it is less appropriate for dense paragraphs where the strong weight and quirky detailing may become tiring.
The tone is upbeat and approachable, with a humorous, informal energy. Its rounded massing and quirky terminal angles suggest a casual, retro-leaning personality that feels welcoming rather than technical or corporate.
The design appears intended to deliver maximum impact with a warm, humorous voice, combining simple sans geometry with deliberate irregularities at terminals and joins to avoid a neutral, mechanical feel. The goal is a distinctive display face that feels handcrafted and energetic while remaining broadly legible.
Capitals read especially bold and poster-like, while the lowercase introduces more personality through varied shapes (notably the single-storey forms and compact bowls). Numerals are similarly chunky and stylized, matching the playful, cut-paper impression of the letters.