Font Hero

Sans Superellipse Tiluk 2 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type (names referenced only for comparison).

Keywords: posters, packaging, headlines, signage, branding, industrial, utilitarian, rugged, authoritative, vintage, stenciled look, print wear, high impact, industrial labeling, retro poster, stencil-cut, distressed, inked, condensed, blocky.

A condensed, heavy sans with a stencil-like construction and softened, rounded-rectangle geometry. Strokes are solid and verticals dominate, while terminals are generally squared-off but subtly rounded, giving the forms a superelliptical feel. Many letters show deliberate breaks and roughened edges, creating a worn, inked texture that reads like painted stenciling or letterpress overprint. Counters are compact and apertures tend to be tight, producing dense, high-impact word shapes with an uneven, tactile rhythm.

Best suited for short, bold applications where texture and punch are desirable—posters, headline settings, packaging, labels, and signage. It can also work for logos and identity systems aiming for an industrial or rugged aesthetic, especially when set with generous tracking and ample line spacing.

The font projects an industrial, utilitarian tone with a rugged, hands-on character. Its distressed breaks and blunt forms suggest shipping marks, equipment labeling, and workwear graphics, balancing toughness with a slightly retro, printed patina.

The design appears intended to evoke stenciled, utilitarian lettering with a deliberately weathered print texture, while keeping the underlying construction clean and geometric. It prioritizes impact and atmosphere over neutrality, delivering strong presence in display sizes.

The stencil gaps are consistently integrated into the design rather than appearing as random noise, helping maintain legibility while still conveying wear. Rounded corners and slightly irregular edge texture keep large sizes from feeling overly rigid, but the tight interior spaces can darken quickly in long text.