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Free for Commercial Use

Stencil Joti 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Casemark Stencil JNL' by Jeff Levine and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logotypes, industrial, military, rugged, impactful, utilitarian, stenciled marking, bold display, industrial labeling, utility signage, octagonal, angular, blocky, high-contrast, compact.


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A heavy, block-constructed stencil with sharply chamfered corners and largely straight-sided geometry. The stroke work is predominantly rectangular and monoline in feel, with frequent vertical and horizontal terminals cut into crisp angles. Stencil breaks appear as narrow bridges and internal notches, often running through counters and joins, producing a segmented, engineered look. Lowercase forms mirror the uppercase’s rigid construction, while round characters (like O/0) resolve into octagonal silhouettes; the overall texture is dense with strong figure/ground contrast.

Best suited to display settings such as posters, headline systems, wayfinding and warning-style signage, and packaging where a rugged, industrial aesthetic is desired. It can also work for logotypes and badges that benefit from a cut-metal or spray-stencil flavor, but its strong stencil breaks make it less ideal for long, small-size reading.

The font conveys an industrial, militaristic tone—pragmatic, tough, and functional. Its broken strokes and hard angles suggest labeling, equipment markings, and high-visibility signage, giving text an authoritative, no-nonsense voice.

The design appears intended to emulate stenciled lettering used for marking and identification, combining bold, high-impact forms with deliberate bridges that imply paint masks, cutouts, or stamped templates. The angular construction prioritizes durability and immediacy, emphasizing strong shapes and a forceful presence.

The stencil interruptions are consistent and visually prominent, so counters can feel compartmentalized, especially in letters like B, R, S, and numerals. The design favors bold silhouettes over delicate internal detail, making it read best when set with ample size and breathing room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸