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Free for Commercial Use

Sans Superellipse Juno 1 is a very bold, narrow, high contrast, italic, normal x-height font visually similar to 'Entuista' by Azzam Ridhamalik, 'Gf Special' by Gigofonts, 'Shtozer' by Pepper Type, 'Motte' by TypeClassHeroes, and 'Gokan' by Valentino Vergan (names referenced only for comparison).

Keywords: headlines, posters, sports branding, event graphics, packaging, sporty, retro, assertive, dynamic, industrial, impact, speed, space-saving, branding, display, condensed, oblique, blocky, angular, rounded corners.


Free for commercial use
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A compact, slanted display sans with thick, forceful strokes and tightly controlled counters. The forms lean forward consistently, combining rounded-rectangle bowls with clipped, wedge-like terminals that create sharp notches and diagonal cuts. Curves are simplified into superelliptical shapes, while straight strokes stay rigid and verticals remain dominant, producing a dense, rhythmic texture. Numerals and capitals read as engineered and uniform, with occasional internal slits and tight apertures that emphasize a machined, stencil-like impression without fully breaking the shapes.

Best suited to headlines, short phrases, and large typographic statements where its condensed, high-impact shapes can carry the layout. It fits sports and motorsport-style branding, event promotions, bold packaging labels, and punchy social or video titles where a fast, industrial voice is desired.

The overall tone is fast, bold, and attention-seeking, with a distinctly retro performance feel. Its forward slant and hard-edged cuts suggest speed and impact, making it feel competitive and energetic rather than neutral or bookish.

The design appears intended to deliver maximum visual impact in minimal horizontal space, using forward-leaning geometry and carved terminals to signal motion and toughness. Its simplified superelliptical bowls and consistent angular cuts prioritize a strong graphic signature over extended-text comfort.

At larger sizes the distinctive diagonal incisions and compact counters become a key part of the personality; at smaller sizes those tight openings may reduce clarity in dense text. The punctuation and figures match the same slanted, block-built logic, supporting cohesive headline setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸