Sans Superellipse Juno 2 is a very bold, normal width, high contrast, italic, normal x-height font visually similar to 'Shtozer' by Pepper Type and 'Glyphic Neue' by Typeco (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming titles, packaging, aggressive, sporty, industrial, comic-book, futuristic, impact, speed, branding, display, attitude, oblique, compressed feel, angular cuts, rounded corners, ink traps.
A heavy, forward-leaning sans with rounded-rectangle construction and sharply cut corners that create a chiseled, speed-driven silhouette. Strokes are thick and confident, with narrow internal counters and frequent diagonal shears that carve out apertures and joins, producing a strong black mass on the line. Curves tend to resolve into squared, radiused terminals, while many letters show wedge-like notches and tapered cuts that read as built-in highlights. The overall texture is dense and rhythmic, with sturdy verticals, slanted stems, and compact bowls that keep the word shape tight and impactful.
Best suited to short, high-impact settings such as headlines, event posters, team or esports branding, game and movie titling, and bold packaging callouts. It works well when you want a compact, forceful wordmark with a clear sense of motion, especially in all-caps or large display sizes.
The tone is loud and kinetic, evoking motorsport graphics, arcade-era action titles, and high-energy display typography. It projects toughness and motion more than refinement, leaning into a gritty, punchy attitude that feels at home in bold headlines and branded marks.
The design appears intended to blend rounded superellipse geometry with aggressive, angular carving to simulate speed and intensity. Its forward slant and chiseled cutouts suggest a purpose-built display face aimed at attention-grabbing branding and energetic promotional typography.
Distinctive cut-ins and narrow counters add personality but also make small sizes and long passages feel busy. The numerals match the same slanted, blocky language, and punctuation follows the same hard-edged, radiused geometry for a consistent display voice.