Font Hero

Free for Commercial Use

Sans Contrasted Illy 5 is a bold, wide, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, magazine titles, packaging, art deco, editorial, fashion, theatrical, modernist, display impact, deco revival, graphic contrast, brand distinctiveness, geometric, monoline hairlines, stencil-like, high-contrast, crisp.


Free for commercial use
Customize the font name

A high-contrast display sans built from geometric primitives: thick vertical slabs and wedges paired with extremely thin hairline curves and connectors. Many forms feel constructed or partially "cut away," with semicircles, quarter-circles, and straight stems creating a segmented, almost stencil-like rhythm. Counters are often open or implied, terminals are sharp and clean, and rounded characters use smooth circular arcs that contrast strongly with the heavy straight strokes. The overall texture is bold and graphic, with alternating dense blacks and fine lines producing a striking, patterned word shape in text.

Best suited for large-size applications such as headlines, magazine and book covers, posters, brand marks, and fashion or cultural event collateral where its geometric contrast can read clearly. It can also work for short pull quotes or packaging display lines when ample size and spacing are available.

The font projects an Art Deco–leaning modernism with a dramatic, poster-ready presence. Its split-stroke construction and crisp geometry give it a stylish, boutique tone that feels both retro and contemporary. The pronounced light–dark rhythm adds theatricality and a curated, design-forward attitude.

The design appears intended to reinterpret geometric sans forms through an Art Deco lens, emphasizing constructed shapes and extreme contrast for maximum visual impact. Its segmented strokes and hairline detailing prioritize distinctive silhouette and graphic rhythm over neutral text readability, positioning it as a statement display face.

In the sample text, the hairline elements can visually recede at smaller sizes, while the heavy segments dominate, making spacing and legibility feel intentionally stylized rather than neutral. The design’s distinctive internal cuts and open counters create memorable silhouettes, especially in rounded letters and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸