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Free for Commercial Use

Blackletter Igsa 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Raven Hell' by Creativemedialab, 'Odradeck' by Harvester Type, 'Shtozer' by Pepper Type, 'Motte' by TypeClassHeroes, and 'Muscle Cars' by Vozzy (names referenced only for comparison).

Keywords: headlines, posters, logos, album art, packaging, gothic, authoritative, historic, ornate, severe, dramatic impact, historic evocation, dense texture, branding voice, gothic display, angular, faceted, compressed, blackweight, chiseled.


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A heavy blackletter with tightly compressed proportions and a strong, blocky silhouette. Stems are built from straight, faceted strokes with sharp wedge terminals and minimal rounding, creating a carved, chiseled look. Counters are narrow and often slit-like, and joins form pointed arches and broken curves typical of gothic construction. The texture is dense and rhythmic, with clear vertical emphasis and crisp internal cut-ins that keep forms legible despite the weight.

Best suited for display settings such as headlines, posters, mastheads, logos, and branding that needs a traditional gothic atmosphere. It also works well for album artwork, event promotion, labels, and packaging where a dense, high-impact typographic texture is desirable.

The overall tone is medieval and ceremonial, projecting authority and tradition. Its sharp geometry and dark color give it a stern, dramatic voice that reads as classic gothic rather than casual. The result feels suited to heritage, ritual, and high-impact statements.

The design appears intended to deliver an unmistakable blackletter presence with maximum visual weight and a disciplined, compressed rhythm. It prioritizes a bold, carved-gothic texture that holds together as a dark block while retaining internal articulation through sharp cut-ins and pointed joins.

Capitals are especially compact and monolithic, while lowercase maintains a consistent vertical cadence with pronounced notches and angular shoulders. Numerals follow the same faceted, blackweight logic, producing a cohesive set for display work. At small sizes the dense interior spaces may close up, so it benefits from generous sizing and spacing.

120px
108px
96px
84px
72px
64px
56px
48px
44px
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36px
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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
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X
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Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
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Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸