Sans Other Jagud 2 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, book covers, packaging, signage, gothic, storybook, whimsical, historic, decorative, carved feel, period flavor, thematic branding, display readability, incised, chamfered, flared, tapered, soft corners.
A stylized display face with mostly monoline strokes that end in small wedge-like flares and chamfered terminals, creating an incised, carved feeling rather than crisp, geometric cuts. Curves are broad and open, with rounded bowls that often show slight notches or pinched joins, while straight strokes stay steady and upright. Capitals read as wide and calm, and the lowercase keeps a steady, readable rhythm with compact ascenders and modest, tapered descenders. Numerals follow the same softened, flared-terminal logic, with rounded shapes and subtle angular detailing at stroke ends.
Works best for display applications such as headlines, posters, book covers, and thematic branding where its carved, flared terminals can be appreciated. It can also support short passages (taglines, pull quotes, signage) when paired with comfortable tracking and line spacing to keep the decorative terminals from visually clumping.
The overall tone feels gothic and storybook-like—historic in reference but friendly rather than severe. The small flares and notched joins add a whimsical, slightly spooky atmosphere that suits fantasy, folklore, or vintage-inspired messaging without becoming overly ornate.
The design appears intended to evoke hand-carved or engraved letterforms using simplified, low-contrast strokes, combining historical cues with approachable readability. Its distinctive terminal treatment suggests a focus on mood-setting and branding character over neutral text performance.
The face relies on consistent terminal treatment across the set, which gives it a cohesive texture in paragraphs while still showing distinctive character in headlines. In longer text, the repeated flared ends create a gentle sparkle along baselines and cap lines, so spacing and line height will noticeably influence how busy or calm it feels.