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Free for Commercial Use

Sans Normal Anlaz 4 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Contempo Gothic' by Arkitype, 'Artegra Sans' by Artegra, 'BR Candor' and 'BR Segma' by Brink, 'Phi Caps' by Cas van de Goor, 'Foda Egypt' by Fo Da, 'Heavitas Neue' by Graphite, and 'Cogenta Text' by SRS Type (names referenced only for comparison).

Keywords: ui text, editorial, branding, signage, presentations, neutral, modern, clean, friendly, utilitarian, legibility, versatility, clarity, modern utility, approachability, rounded, open apertures, humanist, soft corners, clear numerals.


Free for commercial use
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This typeface is a clean sans with gently rounded, open forms and a steady, even stroke impression. Curves are smooth and circular (notably in C, G, O, and the bowls of b/d/p/q), while straight strokes stay crisp and vertical, giving a controlled, contemporary rhythm. Counters are generous and apertures remain open, supporting clarity at text sizes; terminals are mostly blunt with subtle softening that keeps the overall texture approachable rather than stark. The lowercase shows simple, single-storey a and g, a short-armed t, and a compact, rounded-dot i/j, with straightforward, readable numerals and a plain, unembellished 1.

It suits interface copy, product pages, and general-purpose editorial typography where a clear, even texture is important. The open counters and straightforward shapes also make it a solid choice for signage, dashboards, and brand systems that need a modern, approachable sans without overt stylization.

The tone is neutral and modern, with a friendly softness from the rounded construction. It reads as practical and unobtrusive—designed to support content rather than add strong personality—while still feeling contemporary and approachable.

The design intent appears to be a versatile, content-forward sans that stays legible across sizes while maintaining a calm, contemporary character. Its rounded geometry and simple lowercase construction suggest a focus on usability and broad applicability in both display and text contexts.

Uppercase proportions feel balanced and stable, with broad, circular rounds and consistent interior spacing that produces an even typographic color in paragraphs. Letterforms avoid sharp calligraphic gestures or decorative quirks, emphasizing clarity and consistency across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸