Sans Normal Adkod 10 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Mesveda' by Agny Hasya Studio, 'Generisch Sans' by Akufadhl, 'Dikta Neue' by Atasi Studio, 'Branden Blur' by Craft Supply Co, 'Grilova' by Gilar Studio, 'Lusio' by Larin Type Co, and 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: ui labels, branding, posters, packaging, headlines, modern, dynamic, clean, approachable, sporty, built-in emphasis, everyday clarity, modern neutrality, forward motion, oblique, humanist, open apertures, rounded terminals, slanted stress.
This is an oblique sans with a steady, even stroke and smoothly rounded curves. Letterforms are built from clear circular and elliptical geometry, with open apertures (notably in c, e, and s) and clean joins that keep counters airy. The slant is consistent across capitals, lowercase, and figures, giving the design a forward-leaning rhythm without introducing sharp calligraphic contrast. Overall proportions feel balanced and practical, with uncomplicated terminals and a crisp, legible silhouette in both the alphabet grid and paragraph text.
It works well for interface labels, navigation, and short-to-medium text where a clean sans is needed but an oblique voice helps differentiate emphasis. The forward slant and open shapes also suit branding, packaging, and headline applications, especially where a modern, active tone is desired.
The tone reads contemporary and energetic, with a subtle sense of motion from the slanted construction. It feels straightforward and friendly rather than formal, making it easy to use in contexts that need clarity but also a bit of pace and emphasis.
The design appears intended to deliver a versatile everyday sans with built-in emphasis through an oblique angle, keeping forms geometric and counters open for reliable readability. It aims to balance neutrality with momentum, providing a contemporary look that remains practical across common display and text settings.
Capitals maintain simple, geometric structure, while the lowercase shows a more conversational, humanist flow (especially in a, g, and y). Numerals are clear and compact, aligning stylistically with the letters and maintaining the same oblique stance for cohesive mixed text.