Sans Superellipse Agmim 1 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'FX Neofara' by Differentialtype, 'PODIUM Sharp' by Machalski, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Hockeynight Sans' by XTOPH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: ui labels, signage, packaging, headlines, posters, modern, technical, utilitarian, clean, compact, space saving, system clarity, geometric tone, modern branding, rounded corners, condensed, monoline, square sans, uniform strokes.
This typeface is a condensed, monoline sans built from rounded-rectangle and superellipse forms. Strokes maintain an even thickness with soft corner radii, creating squared counters and terminals that feel engineered rather than calligraphic. Capitals are tall and narrow with a consistent rhythm, while lowercase features a notably high x-height and compact apertures that keep word shapes tight. Numerals follow the same geometry, with rounded-square bowls and straight-sided curves that read clearly at display sizes.
It performs well in interfaces and wayfinding where condensed proportions save space and the uniform stroke keeps forms stable. The squared, rounded geometry also suits contemporary branding, packaging, and editorial headlines, especially when a clean, engineered voice is desired. For longer passages, it is best used at comfortable sizes where the tight apertures remain open.
The overall tone is modern and pragmatic, with a slightly industrial, device-interface flavor. Rounded corners soften the rigidity, balancing friendliness with a controlled, technical demeanor. It feels efficient and space-conscious, suited to systems where clarity and consistency matter.
The design intent appears to be a space-efficient sans with a distinctive rounded-rectilinear skeleton—combining the neutrality of a utilitarian grotesque with the character of superelliptical, softened corners. It aims for consistent texture, predictable rhythm, and strong legibility in compact settings.
Curves tend to resolve into straight-ish sides before rounding into corners, giving letters like C, G, O, and U a squared, superelliptical silhouette. Many terminals appear clipped or flattened rather than tapered, reinforcing the constructed look. Spacing in the samples reads compact and steady, supporting dense setting without becoming decorative.