Sans Superellipse Oskah 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dezen Pro', 'Dezen Solid', 'Dezen Stencil 01', and 'Dezen Stencil 02' by DizajnDesign; 'Gibstone' by Eko Bimantara; and 'Colatera Soft' by Maulana Creative (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, confident, modern, friendly, punchy, utilitarian, impact, clarity, approachability, brandability, modernity, rounded, blocky, compact, geometric, high impact.
A heavy, rounded sans with superellipse-like bowls and softly squared curves. Strokes are dense and even, with minimal contrast and broadly cut terminals that keep counters open despite the weight. Proportions feel compact and stable, with generous shoulder forms (notably in n/m/h) and wide, sturdy horizontals that emphasize a grounded rhythm. Numerals share the same blunt, geometric construction, reading clearly with simple, bold silhouettes.
Best suited to headlines, brand marks, and short bursts of text where a strong presence is needed. It should work well for posters, packaging, storefront or wayfinding-style signage, and digital UI moments like hero banners or section headers where clarity and impact matter.
The overall tone is assertive and contemporary, balancing friendliness from the rounded forms with a no-nonsense, industrial solidity. It feels energetic and direct, suited to messaging that needs to land quickly and with authority without becoming sharp or aggressive.
The font appears designed to deliver maximum visual weight with approachable geometry—using rounded-rectangle construction to create a bold, contemporary voice that stays clean and readable. Its consistent curves and sturdy spacing suggest an emphasis on logo-ready shapes and high-impact display typography.
The design relies on consistent rounding and squared-off curvature, giving many letters a “soft block” look. Apertures and counters are kept relatively generous for a very heavy weight, helping maintain legibility at display sizes. The punctuation and basic shapes shown appear visually matched in mass and rounding to the letters.