Sans Faceted Razo 8 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, titles, branding, logos, futuristic, techno, sci-fi, edgy, industrial, display impact, futurist styling, geometric system, brand distinctiveness, angular, geometric, faceted, sharp, straight-sided.
This typeface is built from straight strokes and hard corners, replacing curves with crisp planar angles and diamond-like joints. Strokes are monoline and consistently weighted, with open counters and simplified internal spaces that keep the letterforms airy despite the dense geometry. Many shapes echo a 45° grid, producing pointed terminals and faceted bowls; diagonals are prominent and intersections feel mechanically constructed rather than handwritten. The overall texture is clean and high-contrast against the page, with a slightly modular, schematic rhythm across capitals, lowercase, and numerals.
Best suited to display work where its angular character can lead: headlines, posters, album/game titles, branding marks, and tech-leaning packaging. It performs especially well at medium-to-large sizes where the faceted detailing and open counters remain clear. For long-form reading, it is more effective as an accent or for short bursts of text than as a continuous body face.
The sharp, faceted construction gives the font a futuristic, techno tone with a slightly aggressive edge. Its geometry reads as engineered and synthetic, evoking digital interfaces, sci‑fi titles, and stylized signage rather than neutral text typography. The repeated angles and diamond motifs add a sense of coded symbolism and retro-futurist display energy.
The design appears intended to translate a sans structure into a faceted, polygonal system, prioritizing a consistent straight-line vocabulary and a futuristic silhouette over conventional softness. It aims to deliver a distinctive, immediately identifiable voice for modern, tech, or sci‑fi themed applications while keeping stroke weight and construction disciplined for clean reproduction.
The design leans on distinctive polygonal forms for rounded letters, and several glyphs use open or cut-in strokes that create a stenciled, constructed feel. The lowercase maintains the same angular vocabulary as the uppercase, supporting a cohesive display voice in mixed-case settings. Numerals follow the same straight-edged logic, emphasizing recognizability through facets rather than curves.