Sans Other Jile 1 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, branding, packaging, industrial, techno, modular, futuristic, utilitarian, distinctiveness, systematic design, display impact, tech styling, stencil-cut, geometric, open counters, segmented, high-contrast gaps.
A geometric sans with monoline strokes and notably wide proportions, built from clean arcs and straight segments. Many round forms (C, G, O, Q, e, g, 6, 8, 9) are interrupted by deliberate vertical and horizontal breaks, creating a segmented, stencil-like construction. Terminals are crisp and squared, curves are smooth and near-circular, and spacing feels generous, giving the face a strong, airy rhythm even at heavy display sizes. The overall structure stays consistent across cases and figures, with distinctive cutouts acting as a unifying motif.
Best suited to display settings where the segmented construction can be appreciated: headlines, posters, brand marks, packaging, and UI/tech-themed graphics. It can also work for short labels or signage-style applications, particularly when set with ample size and spacing to preserve the internal breaks.
The repeated breaks and modular geometry give the font a technical, engineered tone—more instrument-panel and sci‑fi interface than conversational text. It reads as modern and utilitarian, with a slightly experimental edge that suggests coding, machinery, or signage systems rather than traditional editorial typography.
The design appears intended to reinterpret a wide geometric sans through a systematic cutout/stencil logic, creating a cohesive visual signature across letters and numerals. Its emphasis is on distinctive texture and a futuristic, industrial flavor rather than unobtrusive long-form readability.
The cutout motif is most prominent in rounded characters and introduces a distinctive texture in words, producing alternating bands of black and negative space. This can enhance recognizability in headlines and marks, but the segmented counters may reduce clarity at small sizes or in dense paragraphs, where the breaks begin to compete with the letterforms.