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Free for Commercial Use

Sans Other Jalay 4 is a regular weight, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, editorial, branding, posters, book covers, modernist, quirky, academic, witty, distinctive signature, display clarity, contemporary edge, editorial voice, incised cuts, stencil-like, open counters, calligraphic stress, angular terminals.


Free for commercial use
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This typeface presents as a clean sans with distinctive incised interruptions and notched joins that create a subtle stencil-like texture. Strokes are generally smooth and monolinear in feel, but the shapes show a calligraphic influence through tapered, wedge-like terminals and occasional asymmetry in bowls and curves. Counters are open and generously sized, with clear, rounded forms in letters like O/Q and a compact, vertical rhythm in the lowercase. Several characters incorporate deliberate cut-ins or gaps (notably in round letters and some numerals), giving the design a crafted, constructed look while keeping overall letterforms straightforward and legible.

It is well suited to headlines, editorial layouts, and branding systems that want a recognizable voice without becoming overtly decorative. The unusual cut details make it particularly effective for display text, pull quotes, packaging, and poster work, while the underlying clarity can still support short passages and subheads when set with comfortable spacing.

The overall tone feels modern and slightly eccentric—polished enough for serious use, but with playful, intellectual personality. The recurring cut details read as witty and design-forward rather than ornamental, lending a contemporary editorial character with a hint of handmade sharpness.

The design appears intended to reinterpret a straightforward sans structure with a consistent set of carved or interrupted stroke motifs, creating a recognizable identity while maintaining readable proportions. It aims to balance functional text shapes with a distinctive signature that adds character in larger-scale typography.

The cut-ins are consistent enough to function as a defining signature across uppercase, lowercase, and figures, helping headings stand out without relying on heavy weight. Round forms and diagonals remain stable and upright, while the distinctive terminals add a crisp, slightly angular finish in larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸