Sans Faceted Asjo 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Lobby Card JNL' by Jeff Levine, 'Garrigue' by Nootype, 'Nuber Next' by The Northern Block, 'Octin College' and 'Refuel' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, sports branding, posters, apparel, packaging, industrial, sporty, tactical, authoritative, retro, impact, ruggedness, geometric styling, modernization, blocky, angular, chamfered, octagonal, compact.
A heavy, all-caps-forward display sans built from straight strokes and clipped corners rather than true curves. Bowls and rounds resolve into octagonal, faceted silhouettes with consistent chamfers, producing a hard-edged rhythm across the alphabet. Counters are relatively small and geometric (notably in O, D, B, 8), and terminals tend to end flat or on an angle, reinforcing a stenciled, engineered feel without actual stencil breaks. Proportions are compact with sturdy verticals; lowercase follows the same faceted construction and stays visually weighty, while numerals are wide, blocklike, and highly uniform.
Best suited to short, high-impact text such as headlines, posters, team or event branding, apparel graphics, and bold packaging labels. It also works well for UI/game titles or signage where an industrial, faceted voice is desired, especially at medium to large sizes.
The font reads as tough, utilitarian, and assertive—evoking athletic lettering, military/industrial labeling, and arcade-era tech graphics. Its angular faceting adds a crisp, machined energy that feels confident and no-nonsense, emphasizing impact over subtlety.
The design appears intended to translate traditional block lettering into a sharply faceted, geometric system—trading curves for planar cuts to create a rugged, contemporary display style with strong presence and quick recognition.
The chamfer logic is applied consistently, which helps maintain cohesion in dense settings. At smaller sizes the tight counters and heavy joins may fill in visually, while at larger sizes the planar cuts become a defining texture.