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Free for Commercial Use

Sans Normal Jumib 11 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Seconda Soft' by Durotype, 'Alfabetica' by Eurotypo, '19-PRA' by ILOTT-TYPE, 'Skeena' by Microsoft Corporation, 'Accia Flare' by Mint Type, 'Organic' by Positype, 'DynaGrotesk' by Storm Type Foundry, and 'Brute Sans' by Wiescher Design (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, dynamic, sporty, confident, modern, friendly, emphasis, impact, motion, modernity, clarity, oblique, compact, crisp, clean, rounded.


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A slanted sans with sturdy, slightly condensed proportions and smooth, rounded curves. Strokes are clean and consistent with gently tapered joins and minimal detailing, producing a crisp silhouette at display sizes. Counters are fairly open for an italicized face, and the rhythm is forward-leaning with a steady, even texture across capitals, lowercase, and numerals. Numerals follow the same oblique construction, with simple, legible shapes and a cohesive weight match to the letters.

This font performs best in headlines, subheads, posters, and branding where an energetic italic voice is desirable. It suits sports and lifestyle identities, promotional graphics, packaging, and short callouts, and can also work for concise UI labels or signage when a strong, directional emphasis is needed.

The overall tone is energetic and assertive, with an athletic, motion-oriented slant that suggests speed and emphasis. Despite the strong presence, the rounded forms keep it approachable rather than severe, making it feel contemporary and upbeat.

The design appears intended to deliver a contemporary, italic sans voice with high impact and a sense of motion, while keeping letterforms clean and broadly legible. Its geometry and controlled curvature aim for a balance of punchy display presence and straightforward reading in short text runs.

Lowercase forms show a modern, simplified construction with a single-storey feel where applicable and compact terminals, helping maintain a tight, graphic word shape. The italics are integral (not merely a mechanical slant), giving the face a purposeful forward drive suitable for emphasis and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸