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Slab Contrasted Rona 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Gimbal Egyptian' by AVP, 'Clab' by Eko Bimantara, 'Geometrico Slab' by FSdesign-Salmina, 'Weekly' by Los Andes, 'Kondolarge' by TypeK, and 'Paul Slab' and 'Paul Slab Soft' by artill (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, sturdy, friendly, retro, confident, playful, impact, retro appeal, durability, headline clarity, blocky, chunky, soft corners, bracketed serifs, ink-trap feel.


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This typeface is a heavy, blocky slab serif with compact counters and pronounced, square-ended terminals. Serifs read as thick and integrated, often with slight bracketing and subtly scooped joins that give an ink-trap-like impression in tight interior corners. Curves are broad and rounded, while horizontals and verticals maintain a consistent, poster-ready mass; overall spacing is generous enough to keep the dense shapes readable. Numerals and capitals share the same robust construction, producing a cohesive, emphatic texture in lines of text.

Best suited for headlines, display copy, and short passages where a strong typographic voice is needed—such as posters, storefront signage, packaging, and brand marks. It can work for supporting text when set with ample size and leading, but its dense color and tight counters make it most effective as a bold accent rather than long-form reading.

The tone is confident and sturdy, with a friendly, retro Americana flavor. Its chunky slabs and rounded forms feel approachable and energetic rather than formal, lending a playful strength suited to bold statements and attention-grabbing headlines.

The design appears intended to deliver maximum impact with a warm, vintage sensibility—combining strong slab serifs and compact interiors to create a durable, highly legible silhouette in display settings. The reinforced corners and integrated serifs suggest a focus on practical reproduction in print and signage while keeping the overall feel approachable.

The design favors clear silhouettes over delicate detail: counters are small, apertures are relatively closed, and joins are reinforced, which helps the face hold together at large sizes and in high-impact printing contexts. The lowercase has a compact, sturdy rhythm that creates a strong, dark typographic color in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸