Sans Other Gury 3 is a very bold, wide, low contrast, upright, tall x-height font.
Keywords: posters, headlines, packaging, signage, logos, industrial, stencil, military, mechanical, assertive, impact, stencil styling, utility, branding, rounded corners, vertical cuts, ink traps, compact spacing, blocky.
A heavy, block-built sans with squared proportions softened by rounded corners and frequent vertical cut-ins that create a stencil-like, segmented silhouette. Strokes are largely monoline and geometric, with broad, flat terminals and a compact internal spacing that keeps counters small and punchy. Many characters feature consistent interior notches or split joins (notably in O/Q/S and several lowercase forms), producing a rhythmic pattern of interruptions that reads as deliberate construction rather than texture. Lowercase forms are tall and sturdy with minimal differentiation from the caps, reinforcing a uniform, engineered look across the set.
Best suited for bold display applications such as posters, headlines, branding marks, packaging, and short, high-impact signage. It can work well where an industrial or stencil-coded aesthetic is desired and where sufficient size and contrast ensure the internal cut details remain legible.
The overall tone is forceful and utilitarian, evoking industrial labeling, tactical signage, and machine-made components. The repeated cut patterns add a technical, coded feel—confident, strict, and attention-grabbing—while the rounded corners keep it from feeling sharp or delicate.
The font appears intended to deliver maximum visual impact with a constructed, stencil-inspired structure, using consistent cut-ins to create a distinctive identity and a sense of engineered functionality. Its simplified geometry and repeated segmentation suggest a focus on strong word shapes for branding and display rather than continuous reading comfort.
The design favors mass and silhouette over fine detail, so the distinctive internal cuts become the primary identifying feature at both letter and word level. In longer text the interruptions can create a strong visual cadence, but the tight counters and heavy joins suggest it will be most comfortable at display sizes where the stencil gaps stay clearly open.