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Free for Commercial Use

Sans Normal Amgam 16 is a regular weight, wide, low contrast, upright, tall x-height font visually similar to 'BD Megatoya' by Balibilly Design, 'Remoto' by JAM Type Design, 'JHC Mirko' by Jehoo Creative, 'Modica' by Monotype, 'Mixcase' by Roman Melikhov, and 'Nova Pro' by XdCreative (names referenced only for comparison).

Keywords: ui text, web design, editorial, branding, signage, clean, modern, neutral, friendly, pragmatic, legibility, versatility, clarity, modernity, neutrality, open apertures, large counters, rounded terminals, even rhythm, high legibility.


Free for commercial use
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A clean sans with broad proportions, generous counters, and evenly weighted strokes that keep the texture steady across lines. Round letters lean on circular geometry, while straight-sided forms stay crisp and unadorned; terminals read mostly rounded or softly finished rather than sharp. Spacing is comfortable and consistent, supporting clear word shapes in both uppercase and lowercase. The numerals follow the same straightforward construction, with open, easily distinguishable forms suited to continuous reading.

Well suited for interface copy, product pages, and general-purpose web typography where clarity and consistency matter. It also works for editorial subheads, brand systems that need an unobtrusive workhorse sans, and straightforward signage or wayfinding at medium to large sizes.

The overall tone is modern and neutral, leaning approachable rather than technical. Its smooth curves and open shapes give it a friendly clarity that feels contemporary and utilitarian without looking sterile.

The design intent appears to prioritize everyday legibility and a contemporary, versatile voice. Its open forms and even color suggest a typeface meant to perform reliably across varied layouts, from short labels to longer passages, without drawing undue attention to stylistic quirks.

The sample text shows strong readability at display sizes, with a stable baseline and a consistent rhythm that holds up across long lines. Curved forms (C, G, O, Q, e, o) feel especially smooth and balanced, while diagonals (K, V, W, X, y) add a subtle sense of motion without becoming aggressive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸