Sans Superellipse Ipdy 5 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Taz' by LucasFonts, 'Gigranche' by Ridtype, and 'Ansage' by Sudtipos (names referenced only for comparison).
Keywords: sports branding, racing graphics, headlines, posters, titles, sporty, futuristic, aggressive, energetic, industrial, impact, speed, modernity, branding, display, slanted, extended, chunky, rounded, angular.
A heavy, forward-slanted sans with extended proportions and a compact, fast rhythm. Strokes are thick and largely uniform, with rounded-rectangle (superellipse-like) counters and corners that soften the mass while keeping a muscular silhouette. Many joins and terminals are sharply cut on an angle, creating wedge-like endings and aerodynamic shears through the letterforms; curves are tightened and often squared-off rather than circular. The overall texture is dark and blocky, with sturdy verticals, short apertures, and counters that stay open enough to read cleanly at display sizes.
Best suited to attention-grabbing display work where density and speed are assets: sports identities, motorsport or automotive graphics, gaming and esports titles, posters, and bold editorial headlines. It can also work for short UI labels or packaging callouts when a high-impact, engineered tone is desired, but it will be most effective when set large with generous spacing to preserve its cut-in details.
The font projects speed and impact, combining a racing-signage feel with a tech-forward, performance mindset. Its slant and sharp cuts suggest motion and urgency, while the rounded rectangular geometry keeps it modern and engineered rather than rough or casual.
The design appears intended to deliver a high-performance display voice: wide, powerful shapes optimized for quick recognition, with angular cuts and rounded-rectangle structure to evoke motion, machinery, and contemporary tech aesthetics.
Letterforms show a consistent use of oblique cuts and notched detailing (notably in diagonals and some terminals), reinforcing a stylized, mechanical construction. Numerals are similarly wide and bold, with simplified shapes and strong horizontal emphasis that helps maintain a cohesive, punchy line of figures.