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Serif Other Umma 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Empera' by BoxTube Labs, 'Gainsborough' by Fenotype, 'Posey' by Graphicfresh, 'Block Capitals' by K-Type, 'Evanston Tavern' by Kimmy Design, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: posters, headlines, logotypes, signage, packaging, gothic, western, heraldic, vintage, bold, display impact, historic flavor, emblematic tone, signage clarity, blackletter-leaning, angular, beveled, chiseled, high-contrast corners.


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A very heavy, angular serif design with a carved, faceted feel. Strokes are largely monoline in weight but terminate in sharp, wedge-like serifs and clipped corners that create a polygonal silhouette. Counters are compact and mostly rectangular (notably in O, D, and 0), and many joins are squared, producing a rigid, architectural rhythm. Uppercase forms are tall and blocky with pronounced verticals, while the lowercase keeps the same hard-edged construction, yielding a cohesive texture in text despite the decorative terminals.

Best suited for display settings such as posters, mastheads, event titles, and brand marks where a strong, historic voice is desired. It can also work well for labels, packaging, and signage that benefit from a bold, traditional, high-impact texture.

The overall tone is forceful and traditional, evoking old-world signage, guild or heraldic lettering, and a hint of blackletter without fully adopting its calligraphic flow. Its sharp serifs and chiseled geometry read as assertive and ceremonial, with a slightly theatrical, historical atmosphere.

The design appears intended to translate blackletter and old-style serif cues into a simplified, highly geometric display face, prioritizing punchy silhouettes and a carved, emblematic presence over neutral readability at small sizes.

Numerals follow the same octagonal, cut-corner construction as the capitals, staying visually consistent for titling. In text, the dense, dark color and tight internal spaces make it most comfortable at larger sizes where the faceted terminals and angular details remain clear.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸