Sans Superellipse Logek 6 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Heidth Variable' by Arkitype and 'Karepe FX' by Differentialtype (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, retro, playful, industrial, friendly, technical, compact impact, retro-tech styling, geometric clarity, friendly utility, rounded, condensed, squared, soft-cornered, geometric.
A condensed geometric sans built from rounded-rectangle forms with consistently softened corners and largely uniform stroke weight. Counters are compact and often squarish, and terminals tend to end in smooth, blunt caps rather than sharp cuts. The lowercase shows a tall x-height with short ascenders/descenders, producing a dense, vertical rhythm; curves in letters like a, e, s, and g feel engineered rather than calligraphic. Overall spacing and proportions favor tight, upright silhouettes, while distinctive shapes such as the narrow, arched m/n and the rounded bowls in B/P/R reinforce a cohesive superelliptic construction.
This font suits display settings where a compact, vertical rhythm is beneficial: headlines, logos and branding systems, poster titling, packaging, and wayfinding or signage. It performs especially well at medium-to-large sizes where its squared counters and rounded corners remain clearly legible and stylistically expressive.
The rounded-rect geometry gives the face a retro-tech personality—friendly and approachable, yet slightly industrial. Its condensed stance and blunt endings feel utilitarian and signlike, while the soft corners keep the tone warm rather than severe.
The design appears intended to translate superellipse-based geometry into a practical condensed display sans, balancing a mechanical, modular feel with softened edges for approachability. It prioritizes a distinctive silhouette and consistent rhythm over neutral text-face invisibility.
Single-storey forms appear in the lowercase (notably a and g), and punctuation adopts the same rounded, monoline logic. Numerals and capitals maintain the same narrow, tall pattern, helping headings and short lines read as compact blocks with a consistent vertical cadence.