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Sans Superellipse Hulih 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Avanti' by Glowtype, 'Antry Sans' by Mans Greback, 'Sans Beam' by Stawix, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, punchy, playful, retro, posterlike, friendly, impact, approachability, retro nod, display clarity, brand presence, blocky, rounded corners, soft geometry, compact, heavyweight.


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A compact, heavy sans with softened, superellipse-like curves and rounded-rectangle construction throughout. Strokes are thick and uniform, with broad counters that stay open despite the weight. Terminals are clean and blunt, and joins are simplified, giving letters a sturdy, blocky silhouette. Curved glyphs like C, G, O, and S lean on squarish rounding rather than perfect circles, while diagonals (A, K, V, W, X, Y) are straight and confident. The overall rhythm is tight and dense, optimized for bold display impact rather than delicate detail.

Best suited to short, high-impact text such as posters, headlines, branding marks, packaging fronts, and wayfinding where bold shapes need to hold up at a distance. It can also work for playful UI labels or badges when used with generous spacing, but it is most effective as a display face rather than for extended paragraphs.

The tone is energetic and approachable, mixing a strong, declarative presence with softened geometry that keeps it from feeling harsh. Its chunky forms and rounded corners evoke a retro, sign-painting and headline tradition, reading as playful and slightly cartoonish while still remaining clear and direct.

The design appears intended to deliver maximum visual impact with friendly, rounded geometry—providing a bold, contemporary display voice that nods to retro signage and compact headline typography while maintaining simple, consistent forms across letters and figures.

The lowercase set maintains a sturdy, simplified structure with prominent dots and compact bowls, and the numerals match the same squared-round geometry for a cohesive texture. In the sample text, the weight creates a dark, even typographic color, so spacing and line breaks become important for comfortable reading at longer lengths.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸