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Sans Normal Mudol 9 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Amfibia', 'Karibu', and 'Movida' by ROHH; 'Bajazzo' by Schriftlabor; 'Amsi Pro' and 'Amsi Pro AKS' by Stawix; and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, punchy, confident, friendly, playful, impactful, attention, clarity, approachability, modernity, display strength, rounded, compact, chunky, geometric, soft corners.


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This typeface is a heavy, rounded sans with compact proportions and large counters that keep forms open despite the dense stroke weight. Curves are strongly geometric (notably in C, O, and G), with softened joins and minimal contrast, giving the letters a smooth, “molded” silhouette. Terminals are mostly flat and squared-off, while diagonals (A, K, V, W, X) are broad and stable, producing an even, blocky rhythm. Lowercase forms appear sturdy and simplified, with single-storey a and g and short, robust ascenders/descenders that reinforce a tight, headline-oriented texture.

Best suited for display use where strong impact is needed: headlines, posters, logos/wordmarks, packaging, and short callouts. Its rounded, geometric build also works well for bold UI labels or promotional graphics where a friendly but assertive tone is desired.

The overall tone is bold and approachable—more friendly than aggressive—thanks to the rounded geometry and open interiors. It reads as energetic and contemporary, with a slight retro signage feel that emphasizes immediacy and clarity. The weight and compact spacing create a strong, declarative voice suited to attention-grabbing messaging.

The design appears intended to deliver maximum presence with a clean, modern sans structure, balancing strong visual weight with rounded shapes to stay approachable. Its simplified forms and open counters suggest a focus on quick recognition and consistent color in large text settings.

Figures are thick and highly legible, with rounded bowls and straightforward constructions that match the uppercase. The punctuation and small details (like the i dot) remain visually substantial, helping the design keep its presence at smaller headline sizes and in high-contrast applications.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸