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Free for Commercial Use

Serif Normal Bogud 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Kangmas' by Azzam Ridhamalik, 'Asikue' by Kereatype, 'Londona' by RantauType, and 'Branger' by Shakira Studio (names referenced only for comparison).

Keywords: display, headlines, posters, book covers, packaging, vintage, bookish, warm, storybook, authoritative, expressive serif, vintage revival, bold editorial, warm branding, bracketed, ball terminals, oldstyle, soft serifs, ink-trap feel.


Free for commercial use
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A very heavy, high-contrast serif with rounded, softly bracketed serifs and pronounced bulb/ball terminals. The strokes swell and taper with a calligraphic logic, giving counters a slightly pinched, teardrop character in places and producing a lively, uneven rhythm across the alphabet. Curves are generous and full, with compact apertures and dense internal spaces at text sizes; diagonals and joins (notably in letters like K, R, and W) show sculpted, wedge-like transitions rather than mechanical joins. Figures are sturdy and oldstyle-leaning in feel, with strong weight distribution and rounded terminals that match the letters.

Best suited to display settings such as headlines, posters, and book-cover titling where its weighty presence and expressive serifs can be appreciated. It can also work for short passages like pull quotes, menus, or packaging copy when set with comfortable tracking and line spacing to preserve clarity.

The overall tone is traditional and slightly theatrical, evoking vintage printing and classic book typography with an approachable warmth. Its bold, sculpted forms feel confident and a bit playful, making text appear emphatic and characterful rather than neutral.

The type appears designed to deliver a classic serif voice with extra visual flavor—using heavy weight, strong contrast, and rounded terminals to create a bold, vintage-leaning texture that stands out in branding and editorial display.

At larger sizes the distinctive terminals and swelling strokes read as intentional ornamentation, while in smaller settings the tight counters and strong contrast may call for more generous spacing. The design maintains a consistent, rounded serif treatment across uppercase, lowercase, and numerals, reinforcing a cohesive, crafted look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸