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Free for Commercial Use

Sans Superellipse Ukmil 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Hubba' by Green Type; 'Odradeck' by Harvester Type; 'Lekra SS' by Sensatype Studio; 'Goodland' by Swell Type; 'Motte' by TypeClassHeroes; 'Robson' by TypeUnion; and 'Aeroscope', 'Chudesny', and 'Sharpix' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, industrial, retro, assertive, utilitarian, game-like, impact, compactness, modular geometry, rounded corners, condensed, blocky, compact, closed counters.


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A compact, heavy sans built from rounded-rectangle forms with consistent stroke weight and squared terminals softened by generous corner radii. Counters are small and often tight, giving letters a dense, ink-trap-free silhouette and strong vertical emphasis. Curves in C, G, O and S read as superelliptical, while joins and joints stay blunt and mechanical rather than calligraphic. Overall spacing feels efficient, with sturdy capitals and simplified lowercase shapes that keep a uniform, modular rhythm.

Best suited to short, high-impact copy such as headlines, poster titles, logo wordmarks, and packaging where a dense, blocky presence is desirable. It can also work well for sports, gaming, and industrial-themed graphics that benefit from compact width and strong vertical shapes.

The tone is bold and no-nonsense, with a distinctly industrial and retro display flavor. Its compact geometry and tight counters create an assertive, engineered feel that can read as athletic, arcade, or machinery-inspired depending on context.

The font appears intended as a bold display sans that prioritizes compactness and a modular, rounded-rectangular construction. Its simplified forms and tight internal shapes suggest a focus on punchy readability in large sizes and a cohesive, engineered aesthetic across letters and numerals.

The design relies on repetition of rounded-square motifs across bowls and apertures, which helps headlines look cohesive. At smaller sizes the tight internal spaces may fill in, so it visually favors larger settings and high-contrast reproduction.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸