Sans Superellipse Jibok 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bladi Two 4F' by 4th february, 'Magnitudes' by DuoType, 'Cintra' by Graviton, 'LHF Advertisers Square' by Letterhead Fonts, 'Amboy' by Parkinson, 'Bankster' by Pelavin Fonts, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, tech, sporty, poster, playful, impact, branding, retro tech, signage, compactness, rounded corners, blocky, geometric, compact, stencil-like.
A heavy, geometric sans built from rounded-rectangle forms with softly chamfered corners and consistent, low-contrast strokes. Counters tend to be rectangular and tight, producing a compact, blocky rhythm; apertures are small and terminals are predominantly squared-off rather than tapered. Curves are minimized in favor of superelliptic bowls and straight-sided arcs, and joins are clean and mechanical. The lowercase has a large x-height with short ascenders/descenders, while figures are wide, sturdy, and visually stable with squarish inner shapes.
Best used for headlines, short display lines, and branding where bold, blocky shapes are an advantage. It works well in posters, product packaging, esports or sports identities, and UI/labeling that aims for a robust, industrial-tech impression. For longer passages, generous tracking and larger sizes help preserve clarity as counters are relatively tight.
The overall tone is strong and utilitarian with a retro-futurist, arcade-like flavor. Its rounded geometry keeps the heaviness friendly, while the tight counters and rigid structure add a technical, industrial edge. The result feels energetic and assertive, suited to attention-grabbing messages rather than quiet reading.
This design appears aimed at creating maximum impact through rounded-rectangular geometry and compact internal space, balancing toughness with approachable corners. The stylized notches and squared counters suggest an intention to evoke engineered signage and retro digital aesthetics while remaining clean and modern in structure.
Several glyphs show deliberate, stylized cut-ins and notches (notably around diagonals and interior joins), giving a slightly stencil-like, engineered character. The sample text demonstrates high impact in large sizes, where the rounded-square shapes read as a cohesive system and the black mass forms bold, even word silhouettes.