Sans Superellipse Fikij 5 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'Resolve Sans' by Fenotype, 'Tactic Round' and 'Tactic Sans' by Miller Type Foundry, 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, branding, sports identity, tech packaging, posters, futuristic, sporty, technical, dynamic, sleek, performance, modern branding, tech voice, impact display, rounded corners, superelliptic, oblique, extended, geometric.
This typeface presents an extended, forward-leaning sans with rounded-rectangle construction throughout. Strokes are heavy and largely uniform, with softened corners and squared-off terminals that create a superelliptic, machined feel rather than a purely circular geometry. Counters are compact and rectilinear, and the overall rhythm favors wide letterforms with controlled spacing, producing a strong horizontal sweep. Numerals and capitals share the same streamlined, rounded-corner logic, keeping the set visually consistent in display sizes.
It works best in headlines, logos, and branding systems that benefit from a fast, technical aesthetic. The wide, rounded forms also suit sports or automotive-style graphics, product packaging, and poster typography where strong presence and a sleek silhouette are desired.
The font conveys speed and modernity, with a confident, engineered tone that reads as performance-oriented and contemporary. Its oblique stance and wide proportions suggest motion and precision, giving it a sporty, tech-forward personality suited to high-impact messaging.
The likely intention is a modern display sans that blends geometric efficiency with rounded, superelliptic softness to feel both engineered and approachable. Its wide stance and oblique energy appear tuned to communicate speed, performance, and contemporary technology.
The design leans on consistent rounding and flattened curves, creating a distinctive “capsule” silhouette in bowls and corners. The oblique angle is steady across the set, and the heavy strokes plus compact apertures push the style toward headline use where its shapes can breathe and remain legible.