Sans Superellipse Ibbok 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Kelson' by Armasen, 'Resolve Sans' by Fenotype, 'Panton' by Fontfabric, 'Boxed' and 'Boxed Round' by Tipo Pèpel, and 'URW Dock Condensed' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, punchy, confident, industrial, sporty, friendly, impact, clarity, modernity, approachability, cohesion, rounded corners, blocky, compact, sturdy, geometric.
A heavy, compact sans with broad, rounded-rectangle construction and softened corners throughout. Curves resolve into squarish bowls and counters, giving letters a superelliptical, block-like presence, while terminals are mostly flat and clean. The rhythm is tight and forceful, with large interior counters where possible to keep forms readable at weight; joins stay simple and blunt, and diagonals (as in K, V, W, X) are thick and stable rather than sharp. Numerals follow the same chunky, squared-round logic, producing a cohesive, sign-ready texture.
Best suited to headlines and display settings where impact and quick recognition matter—posters, branding lockups, packaging, wayfinding, and big UI labels. The dense weight and squared-round forms also work well for short, high-contrast text blocks that need to feel sturdy and contemporary.
The overall tone is bold and no-nonsense, mixing utilitarian toughness with a friendly softness from the rounded corners. It feels modern and assertive, with an athletic, poster-like energy that reads as confident rather than delicate or formal.
Likely designed to deliver maximum visual impact with a geometric, rounded-rectangle voice—pairing strong silhouettes with softened edges for approachability. The consistent, simplified construction suggests an emphasis on clarity at large sizes and a cohesive, logo-friendly texture across letters and numerals.
Round letters like O, C, and G read as squarish ovals, and bowls in B, P, and R stay wide and strongly enclosed. The lowercase maintains a solid, workmanlike feel with minimal ornamentation, keeping emphasis on mass, clarity, and consistent shape language.