Sans Contrasted Fymo 9 is a very bold, wide, high contrast, italic, tall x-height font.
Keywords: sports branding, posters, headlines, logotypes, packaging, sporty, aggressive, industrial, retro, impact, speed, ruggedness, display emphasis, angular, chiseled, condensed slant, beveled, blocky.
A heavy, slanted display sans built from angular, faceted strokes with crisp corners and frequent diagonal terminals. The forms lean forward with a strong rightward italic angle, and the counters are compact, giving the letters a dense, muscular texture. Stroke treatment shows clear thickness modulation and wedge-like joins that create a cut-metal, beveled impression rather than smooth curves. Uppercase shapes are squat and blocky with clipped corners (notably in C, G, O/Q), while lowercase maintains a tall, sturdy stance with simplified, geometric construction.
Best suited to large-scale settings such as sports identities, event posters, game or entertainment graphics, bold headlines, and punchy packaging panels where the angular texture can read clearly. It can also work for short logotypes and wordmarks that benefit from a fast, tough visual voice, but it is less appropriate for long-form text or small UI sizes.
The overall tone is forceful and energetic, with a competitive, high-impact feel. Its sharp facets and forward slant evoke speed, toughness, and a slightly retro athletic or arcade sensibility. The texture reads loud and assertive, prioritizing attitude over subtlety.
The design appears intended to deliver maximum impact with a speed-forward italic stance and a distinctive faceted construction, creating a rugged, machined look that stands out in display typography. Its simplified, blocky silhouettes and clipped corners suggest an emphasis on immediacy and recognizability in branding-oriented applications.
The numerals follow the same faceted logic, with angled cuts and compact interiors that keep figures bold and sign-like. Round letters are rendered as multi-sided shapes, and diagonals (V/W/X/Y) feel particularly dynamic due to the slant and pointed terminals. Spacing appears tuned for headline use, with strong black shapes that can visually merge at smaller sizes.