Sans Other Loraz 3 is a bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, logo, signage, playful, retro, quirky, crafty, cartoon, distinctive display, playful branding, signage impact, decorative texture, stencil-like, ink-trap, notched, rounded, geometric.
A heavy, rounded sans with softened corners and a distinctly constructed, cut-out feel. Many letters show deliberate notches, wedges, or internal cutaways that read like stencil breaks or ink-trap cavities, creating a lively texture in counters and joins. Curves are broad and geometric, terminals tend toward blunt or subtly flared endings, and the overall spacing feels open for the weight, helping the shapes stay legible despite the decorative interruptions. Uppercase forms are compact and blocky, while the lowercase keeps simple, single-storey constructions with a steady rhythm and a consistent, punchy presence.
Best suited for display settings where its notched detailing can be appreciated: headlines, posters, branding marks, packaging, and playful signage. It can also work for short UI labels or badges when set large enough to preserve the internal cutaways, but it’s primarily a personality-driven choice rather than a long-form text face.
The tone is playful and slightly eccentric, evoking mid‑century display lettering, craft signage, and cartoon titling. The cut-in details add a mischievous, hand-cut character—more whimsical than technical—giving text a friendly, attention-grabbing bounce.
The design appears intended to deliver a bold, friendly display voice with a distinctive constructed motif—using stencil-like breaks and internal cutaways to differentiate it from a standard geometric sans while keeping forms broad and readable.
Several glyphs incorporate signature internal breaks (notably in letters like A, E, F, and some diagonals), which become a defining motif at larger sizes. The numeral set appears similarly rounded and chunky, maintaining the same cutaway logic for a cohesive voice across letters and figures.