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Free for Commercial Use

Distressed Nurak 4 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'News Gothic BT' by Bitstream, 'Applied Sans' by Monotype, 'News Gothic' by ParaType, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: posters, packaging, labels, headlines, display, handmade, rugged, folksy, analog, casual, handmade texture, print wear, human warmth, retro utility, roughened, textured, worn, uneven, dry-brush.


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A casual, hand-rendered roman with lightly roughened contours and subtly uneven stroke edges, as if stamped or drawn with a dry brush. Forms are mostly simple and open, with rounded bowls and softened corners, but the outlines show small nicks, waviness, and slight ink spread that create a lively texture. Stroke weight stays fairly consistent while individual letters vary a bit in width and rhythm, giving an organic, non-mechanical color in text. Numerals and capitals share the same sturdy, workmanlike construction and retain clear silhouettes despite the distressed finish.

Best suited to display and short-to-medium text where the textured outline can be appreciated: posters, packaging, labels, menus, and branding elements that want a handmade feel. It can work for pull quotes or subheads when set with comfortable tracking and size, but will read most confidently in titles and prominent copy.

The overall tone feels approachable and human, with a rugged, analog character that suggests craft, DIY process, and imperfect print. Its texture reads as intentionally worn rather than damaged, adding warmth and personality without becoming chaotic. The result is friendly and informal, with a hint of vintage utility.

Likely intended to provide a dependable, legible base structure with an intentionally imperfect surface—capturing the look of worn printing or hand-painted lettering while staying cohesive across capitals, lowercase, and figures.

Texture is present on both straight stems and curves, so the distressed effect remains consistent across the alphabet. In longer lines the irregular edges add visual grain, which can reduce crispness at small sizes but strengthens presence in larger settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸