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Free for Commercial Use

Sans Contrasted Norob 7 is a light, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, logotypes, posters, magazine titles, packaging, elegant, editorial, refined, contemporary, poised, display focus, signature style, editorial tone, branding, modern refinement, modulated, crisp, airy, calligraphic, sharp.


Free for commercial use
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This typeface pairs clean, largely sans-like letterforms with pronounced modulation and sharp, tapered terminals. Strokes move from very thin hairlines to thicker verticals, creating a crisp, high-definition rhythm, while bowls and curves stay smooth and open. Several capitals use distinctive internal cut-ins and angled joins that feel sculpted rather than purely geometric, and diagonals (V, W, X) are razor-like with fine apexes. Lowercase forms remain compact and tidy, with a single-storey a and g, a narrow, pointed w, and a light, precise t; numerals are similarly stylized, with a notably open 4 and curving 2 and 3. Spacing appears moderately generous, helping the delicate thins read without clogging at display sizes.

Best suited to headlines, mastheads, short display lines, and brand marks where its modulated strokes and sharp terminals can be appreciated. It can work for packaging and invitations when used at comfortable sizes with sufficient contrast against the background, while extended small text may require cautious sizing due to the very fine hairlines.

The overall tone is elegant and editorial, with a fashionable, slightly theatrical edge driven by the sharp terminals and dramatic thick–thin transitions. It feels contemporary and curated—more like a boutique masthead or gallery identity than a utilitarian system font.

The font appears designed to deliver a modern, fashion-forward display voice that blends sans-like simplicity with calligraphic modulation. Its distinctive internal cut-ins and tapered endings suggest an intention to create a recognizable signature style for titling and identity use.

The design’s personality comes through most in its uppercase: the C/E/S family and the Q show custom, carved shapes that read as intentional signature details. Because the thinnest strokes are extremely fine, the face visually rewards larger settings where the contrast and pointed joins can remain crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸