Sans Superellipse Feley 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Oso Sans' by Adobe, 'Bunaero' and 'Bunaero Pro' by Buntype, 'Mozer' by Fontfabric, and 'Branding SF' by Latinotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, promo graphics, sporty, urgent, confident, retro, space saving, headline impact, sense of motion, modernized retro, condensed, oblique, rounded, blocky, compact.
A heavy, tightly set oblique sans with compact proportions and rounded-rectangle construction in the bowls and counters. Strokes stay largely uniform, producing a dense, poster-like color, while corners are softened to keep the shapes from feeling harsh. Curves read as superelliptical and slightly squarish, and the overall rhythm is energetic due to the forward slant and narrow letterforms. Numerals and lowercase share the same chunky, compact build, maintaining consistent weight and a strong silhouette across the set.
Best used for punchy headlines, posters, packaging callouts, and branding that benefits from a fast, condensed, high-impact voice. It also works well for sports or event graphics, price/promotional bursts, and bold titling where the compact width helps fit more characters into a line.
The font projects speed and punch—confident, assertive, and a bit retro in its compressed, slanted stance. Its rounded-but-blocky forms feel sporty and promotional, giving headlines a sense of motion and urgency without becoming aggressive or spiky.
The design appears aimed at delivering maximum impact in minimal horizontal space, combining a strong, uniform stroke with rounded-rectangle geometry and a pronounced oblique to imply motion. It’s built to read quickly and feel dynamic, prioritizing silhouette strength and headline presence over extended-text comfort.
Counters are relatively small for the weight, which increases impact at display sizes but can reduce clarity in long paragraphs. The slant is prominent and consistent, making the type feel like it’s leaning into the message—well-suited to short, emphatic lines and stacked layouts.