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Free for Commercial Use

Sans Superellipse Ibmal 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Prenton RP' by BluHead Studio, 'Maxima EF' by Elsner+Flake, 'FF Good' by FontFont, 'LFT Etica' by TypeTogether, and 'Maxima' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, retro, impact, approachability, geometric clarity, brand presence, chunky, soft, rounded, compact, blocky.


Free for commercial use
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A heavy, soft-cornered sans with broad, superelliptical curves and sturdy verticals. Counters are relatively tight, giving the letters a compact, punchy footprint, while joins and terminals stay smoothly rounded rather than sharply cut. The uppercase is built from simple, geometric blocks (notably in E, F, T), contrasted by generously curved forms in C, G, O, and S; diagonals (V, W, X, Y) remain thick and stable. The lowercase keeps a straightforward, single-storey feel where applicable, with rounded bowls and minimal modulation; punctuation and numerals follow the same chunky, rounded-rectangle logic for strong consistency.

This font is best suited to short, high-impact settings such as headlines, posters, brand marks, packaging, and signage where bold, friendly geometry is an advantage. It can also work for UI headers or callouts where a soft but assertive voice is needed, while longer body text may require generous size and spacing to maintain clarity.

The overall tone is bold and approachable, combining a friendly softness with a confident, poster-ready presence. Its rounded geometry reads contemporary and cheerful, with a subtle retro, display-sans flavor that feels energetic without becoming quirky or decorative.

The design appears intended to deliver maximum visual impact with a welcoming, rounded geometry—prioritizing bold silhouettes, simple construction, and consistent curvature for strong recognition in display applications.

At text sizes the weight and tight internal spaces create dense, high-impact lines, and the design’s rounded corners help prevent the texture from feeling harsh. The shapes remain highly uniform across letters and figures, reinforcing a cohesive, geometric rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸