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Free for Commercial Use

Sans Superellipse Ibbes 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Flexo' by Durotype; 'FS Industrie', 'FS Joey', and 'FS Joey Paneuropean' by Fontsmith; 'Pancetta Pro' by Mint Type; 'Nauman Neue' by The Northern Block; and 'JP Alva' by jpFonts (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, bold, industrial, friendly, confident, modern, impact, clarity, approachability, robustness, modern utility, rounded corners, blocky, compact, smooth curves, sturdy.


Free for commercial use
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A heavy, compact sans with rounded-rectangle construction and softened corners throughout. Strokes are uniform and dense, producing a dark, steady color in text, while counters stay relatively open for the weight. Curves tend toward superelliptical bowls and squarish rounds, with straight-sided stems and broad, stable horizontals; joins are clean and minimally detailed. The overall rhythm is tight and sturdy, with clear, simple shapes that favor impact over delicacy.

Best suited to headlines, display typography, and short blocks of copy where a strong voice is desired. It works well for branding, packaging, labels, and signage systems that benefit from compact forms and rounded industrial geometry, and it can add confident emphasis to UI titles and promotional graphics.

The tone is assertive and workmanlike, but the rounded geometry keeps it approachable rather than harsh. It reads as contemporary and practical, suited to bold statements where clarity and presence matter most.

The design appears intended to deliver maximum impact with simple, highly legible forms, using rounded-rectangle shapes to balance strength with friendliness. It prioritizes consistency and solid presence, aiming for a contemporary, utilitarian display voice.

Digits and punctuation share the same chunky, softened geometry, giving headings and numerals a consistent, signage-like solidity. At larger sizes the rounded corners and squarish curves become a defining stylistic signature; in smaller settings the weight will dominate and produce strong emphasis.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸