Sans Superellipse Jeta 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Campione Neue' by BoxTube Labs, 'CF Blast Gothic' by Fonts.GR, 'Greisen' by Groteskly Yours, 'EFCO Colburn' by Ilham Herry, 'Neusa Neu' by Inhouse Type, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, 'TX Manifesto' by Typebox, 'Obvia Condensed' by Typefolio, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, assertive, sporty, utilitarian, retro, space efficiency, high impact, signage clarity, brand punch, blocky, compact, squared, rounded corners, stencil-like counters.
A compact, heavy sans with squared proportions and rounded-rectangle geometry throughout. Strokes are uniform and weighty, terminals are mostly flat, and corners are consistently softened, producing a superelliptical, machined look rather than geometric circles. Counters tend to be tight and often rectangular, with some letters showing small internal cut-ins that read as stencil-like apertures (notably in B, D, O, P, R). The overall rhythm is dense and vertical, with straightforward construction and minimal modulation across the alphabet and numerals.
Best suited to short, high-impact settings such as headlines, posters, sports or industrial branding, packaging callouts, and wayfinding or label-style signage. It can also work for large-format editorial or promotional typography where a compact, heavy texture is desired.
The tone is forceful and no-nonsense, projecting an industrial and athletic energy. Its compact, blocky forms feel engineered and signage-driven, giving a slightly retro display flavor while staying clean and modern enough for bold branding moments.
The design appears intended to deliver maximum punch in limited horizontal space, using rounded-rectangle construction and tight counters to create a cohesive, robust texture. It prioritizes strong silhouettes and consistent geometry for clear, repeatable impact in display typography.
Round letters lean toward rounded squares rather than true ovals, and diagonals (A, V, W, X, Y) are steep and sturdy, reinforcing a compressed, poster-like presence. Numerals follow the same squared, tight-counter logic; the 0 is a rounded rectangle with a small interior counter, and the 1 is a simple, rigid vertical form.