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Free for Commercial Use

Sans Superellipse Ormoj 5 is a bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype; 'PODIUM Sharp' by Machalski; 'Hafez', 'Iranica', and 'Nima' by Naghi Naghachian; and 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, punchy, industrial, friendly, impact, clarity, modernity, approachability, utility, compact, rounded, blocky, square-ish, clean.


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A compact, heavy sans with rounded-rectangle construction and softened corners throughout. Counters are relatively tight and mostly rectangular/oval, with smooth, consistent curves and minimal stroke modulation. Proportions feel sturdy and slightly condensed, with a high x-height and short extenders that keep lowercase forms dense and efficient. Terminals are blunt and clean, producing crisp silhouettes and even rhythm in text.

Best suited to headlines and short bursts of text where its dense, rounded geometry can deliver impact—posters, branding systems, packaging, and signage. It can also work for UI labels or navigation where a sturdy, compact sans is desired, especially at medium-to-large sizes.

The overall tone is assertive and contemporary, combining utilitarian clarity with a friendly, approachable softness from the rounded geometry. It reads as straightforward and no-nonsense, but not harsh, making it feel both technical and approachable.

The design appears intended to deliver strong visual weight and high legibility using a rounded-rectangle skeleton, creating a modern, industrial feel while keeping the texture friendly and controlled in continuous text.

Round letters (like O/C/G) lean toward squarish, superelliptical bowls, while diagonals (V/W/X/Y) stay sharp and energetic. The lowercase set is simple and workmanlike, with single-story forms where expected and a sturdy, readable presence at display sizes. Numerals match the same blocky, rounded logic for a cohesive typographic voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸