Sans Normal Megek 7 is a very bold, wide, low contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, packaging, logos, sporty, punchy, retro, playful, loud, impact, speed, display, branding, character, chunky, rounded, slanted, compressed counters, inktrap-like notches.
A heavy, slanted sans with broad proportions and compact internal spaces. Letterforms are built from chunky geometric masses with rounded bowls and soft corners, then sharpened by angled terminals and occasional wedge-like cuts. Several glyphs show small notch-like intrusions and asymmetric joins that create a slightly engineered, cut-out feel. Curves are smooth and full, while diagonals (in forms like A, K, V, W, X, Y) read as strong, forward-leaning strokes; overall spacing feels generous enough to keep dense shapes from clogging despite tight counters.
This font is best suited to headlines, posters, and short bursts of text where impact and motion matter. It can work well for sports-themed branding, energetic campaigns, packaging callouts, and logo wordmarks that benefit from a chunky, forward-leaning presence. For longer reading, it will be most comfortable at large sizes where the tight counters remain clear.
The tone is energetic and assertive, with a forward-leaning motion that suggests speed and impact. Its oversized shapes and compact counters give it a bold, poster-ready presence, while the rounded construction keeps it friendly rather than harsh. The combined effect feels sporty and retro-tinged, suited to attention-grabbing display typography.
The design appears intended as a high-impact display sans that combines rounded geometric mass with italic-like forward motion. Angled terminals and small cut-in details add character and prevent the heavy shapes from feeling too plain, aiming for a modern, energetic look that remains approachable.
Uppercase and lowercase share a consistent, inflated silhouette, and numerals echo the same chunky geometry with small counters and strong slant. Round glyphs (O, Q, o, e) are notably compact inside, and punctuation-like dots in the sample appear as solid, simple circles. The overall rhythm is driven by large black shapes and angled cuts, producing a dynamic texture in paragraphs at display sizes.